This research can focus on any historical topic related to the Paper

This can focus on any historical topic related to the course.that is, on any topic covered in class or in your dossie - Research Paper Example The third section will examine the role of women in 1930s film and theorise that some women, notably Norma Shearer, transcended stereotypes. It will explore how women’s roles in the cinema evolved from the beginning to the end of the Great Depression (1929–1939). The fourth section will examine criticisms of women in 1930s film while the fifth section will present a conclusion. Annotated Bibliography Berry, S. (2000). Screen style: Consumer fashion and femininity in 1930s Hollywood, Minneapolis: University of Minnesota Press. This book will be useful in assessing the influence of 1930s films because it details how Greta Garbo, Joan Crawford and Marlene Dietrich influenced women filmgoers as role models of self-determination, and shows why the public is fascinated with these strong-willed women. Davies, C. (1988). New women, new culture: The Women’s Weekly and Hollywood in Australia in the early 1930s. Brisbane: Griffith University. This study is very important to this research because it explores how the new woman (from the period after the censorship policy was implemented) came to exist, and how she affected culture, including how women were portrayed in films and it examines how the Hollywood portrayal of women in the 1930s affected women in Australia. Dawson, J.E. (1995). Hollywood’s image of the workingwoman, Las Vegas: University of Nevada. This dissertation enables exploration of the roles that women have taken in films, how women are portrayed in films, and the psychological aspects and influence of films on women. Feuer, J. (1993). The Hollywood musical, Bloomington: Indiana University Press. This book will assist in understanding the origins and evolution of the Hollywood musical, as well as how it has affected society over the years, particularly in the chapter ‘Dream worlds and dream stages’, which details how Hollywood musicals provided audiences with escapist entertainment during the difficulties of the war and Great Depression in the 1930s. Kolbjornsen, T.K. (1998). ‘Dansingi Hollywood: punktnedslagi film-musikalenshistorie’, dissertation, Philadelphia: Villanova University. This dissertation explores musical film aesthetically, examines how spectators are transformed by the experience of watching Hollywood musicals (such as the Busby Berkeley shows in the 1930s), explores dance as an aesthetic sign, and discusses how musicals transform women into kinetic ornaments. Lovasz, K. (2007). ‘Technologies of self-presentation: Women’s engagement with mediated representation from the era of silent film to the Internet age’, dissertation, Princeton: Princeton University. In this dissertation, Lovasz explores identity theory, which explains how women relate to patriarchal culture, by exploring a woman’s imagined and virtual cultural experiences, including those of film. Mulvey, L. (1999). ‘Visual pleasure and narrative cinema’, in Leo Braudy and Marshall Cohen (eds), Film Theory and Criticism:Introductory Readings, New York: Oxford University Press. This text analyses the Madonna–whore complex and the role of women pleasing men in Hollywood productions,